Jules de Balincourt,  We Regret To Inform You There Is Currently No Space Or Place For Abstract Painting , 2004, oil, enamel and spray paint on board, 10.25 x 12.75 in
 Davina Semo,  X MARKS THE ROT , 2011, spray paint on concrete, 16 x 16 in
 Lisa Beck,  Overhead , 1991, mylar on panels, dimensions variable 
 Davina Semo,  LET’S TWITCH THE CURTAIN JUST A BIT AND LOOK AT THE DARKNESS BEHIND IT , 2011, distressed etched mirror with enamel paint, steel chain, 36 x 36 in
 Installation view,  We Regret To Inform You There Is Currently No Space Or Place For Abstract Painting , Martos Gallery, New York, 2011
 Installation view,  We Regret To Inform You There Is Currently No Space Or Place For Abstract Painting , Martos Gallery, New York, 2011
 Ben Schumacher,  Stone Saw , 2011, acrylic, enamel and inkjet print on canvas, 58 x 40 in
 Ben Schumacher,  Clamp , 2011, anchoring cement, latex, enamel and garden netting on canvas, 58 x 40 in
 Ben Schumacher,  Scarf Key , 2011, plaster, anchoring cement, latex, enamel and garden netting on canvas, 58 x 40 in
 Installation view,  We Regret To Inform You There Is Currently No Space Or Place For Abstract Painting , Martos Gallery, New York, 2011
 Alex Kwartler,  Untitled , 2011, oil on canvas, 12 x 16 in
 Lincoln Tobier,  June 14 / June 18 2001 , 2002, enamel on metal, 55.1 x 94.5 in, AP of Edition of 3 + I AP
 Installation view,  We Regret To Inform You There Is Currently No Space Or Place For Abstract Painting , Martos Gallery, New York, 2011
 Wayne Gonzales,  Grey Pentagon , 2005, acrylic on canvas, 92 x 92 in
 Jim Lambie,  Stakka Record Covers , 1999, record covers, tape, acrylic paint, dimensions variable
 Installation view,  We Regret To Inform You There Is Currently No Space Or Place For Abstract Painting , Martos Gallery, New York, 2011
 Chris Martin,  Happy New Year , 1999-2000, acrylic on canvas, 118 x 143 in
 Clare Woods,  Untitled , 1999, enamel on wood, 12 x 12 in
 David Malek,  Large Yellow Perspective Grid , 2011, oil based high-gloss enamel on panel, 40 x 60 in
 Installation view,  We Regret To Inform You There Is Currently No Space Or Place For Abstract Painting , Martos Gallery, New York, 2011
 Nick Van Zanten,  Untitled (Unemployment Rates of the United States as a Whole and All 50 States From April 2008 to September 2010 Within the Range of 3.75% and 10.25% on a Surface the Size of the Weekly Income of an American at Poverty Level Laid Out in One Dollar Bills),  2010, oil, pencil and pen on canvas, 39 x 86 in
 Installation view,  We Regret To Inform You There Is Currently No Space Or Place For Abstract Painting , Martos Gallery, New York, 2011
 Tony Just,  Untitled , 2011, acrylic gel medium, gesso on linen, 39.5 x 31.5 in
 Eva Rothschild,  Rose Mandala , 2000, woven posters, 22 x 40 in
 Daniel Turner,  Untitled 5250 , 2011, encased tar, vinyl, wood, 17 x 15 x 3 in
 Installation view,  We Regret To Inform You There Is Currently No Space Or Place For Abstract Painting , Martos Gallery, New York, 2011
 Nathaniel Robinson,  Untitled , 2010, gypsum cement, 8 x 19 x 13 in
 Sarah Crowner,  Untitled , 2011, oil on sew canvas, cloth and linen, 42 x 36 in
 Jim Lambie,  Black Metal , 2004, mattress, gloss paint, dimensions variable
 Installation view,  We Regret To Inform You There Is Currently No Space Or Place For Abstract Painting , Martos Gallery, New York, 2011
 Lisa Beck,  Slacker , 1991, mylar on panels, dimensions variable
 Curtis Mitchell,  Meltdown 7 , 2007, altered C-print, 128 x 72 in
 Installation view,  We Regret To Inform You There Is Currently No Space Or Place For Abstract Painting , Martos Gallery, New York, 2011
 Anja Schwoerer,  Untitled , 2010, bleach on cotton, 45.25 x 31.5 in
 Installation view,  We Regret To Inform You There Is Currently No Space Or Place For Abstract Painting , Martos Gallery, New York, 2011
 John Miller,  Untitled , 1985, acrylic on canvas, 60 x 36 in
 Alex Kwartler,  Charlie , 2011, oil on canvas, 8 x 10 in
 Nathaniel Robinson,  Untitled , 2010, pigmented polyurethane resin, 0.5 x 9 x 9 in
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