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                            Ana Hernandez and Jeremy Toussaint-Baptiste, With a HammerAlison K. Young, ArtReview, March 5, 2024
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                            Material Qualities of Sound: Jeremy Toussaint-Baptiste Interviewed by Jareh DasBomb, June 7, 2022
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                            In Conversation Jeremy Toussaint-Baptiste: Bass is TouchNan Collymore, Contemporary &, February 22, 2022
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                            "Set it Off" exhibition engages visitors with a sonic experienceSafia Abdulahi, The Commonwealth Times, January 19, 2022
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                            The Virginia museum spotlighting overlooked histories and perspectivesKendra Walker, The Art Newspaper, January 5, 2022
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                            The Institute for Contemporary Art at VCU Presents Jeremy Toussaint-Baptiste: Set It OffInstitute for Contemporary Art, Virginia Commonwealth University, Hyperallergic, November 13, 2021
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                            Jeremy Toussaint-Baptiste on Malevich's Black Square and the limits of visibilityARTFORUM, August 31, 2020
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                            "A Language for Intimacy"Natasha Marie Llorens, ART AGENDA REVIEWS, July 23, 2020
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                            THE SOUNDS OF QUARANTINE: HOW EXPERIMENTAL MUSICIANS ARE OVERCOMING DOMESTIC ISOLATIONWalker Downey, Art in America, June 24, 2020
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                            At MoMA, a Musical Pioneer's Rainforest Squeaks and ChirrupsCritic's Notebook, The New York Times, October 29, 2019
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                            JEREMY TOUSSAINT-BAPTISTE IN CONVERSATIONNicole Kaack, SOUND AMERICAN, May 15, 2019
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                            'What Remains' Responds To The Surveillance Of BlacknessRosalind Bevan, wbur, April 11, 2019
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                            Jeremy Toussaint-Baptiste, Pendulum Music: An Arrangement for Four Performers and Geodesic DomeMuseum of Modern Art, October 21, 2018
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                            'Dappling!' Demonstrates Gesture as Communication and DanceBrian Seibert, The New York Times, July 31, 2015


